![]() ![]() So the higher the ratio, the more extreme the compression. Ratio – This is the “amount of compression.” So if you have a specific level go over the threshold and the ratio is 2:1 then it will divide the amount that goes over the threshold in half and compress it down by two. Any other parameter doesn’t matter because the compressor doesn’t start working until the audio hits the threshold. If the audio is very low in level and the threshold is too high, it won’t hear the signal, so it will effectively be useless. Threshold – The threshold sets the level for where the compressor should start listening to the audio signal. Let’s talk about the knobs you’ll find on your compressor.įirst off, let’s talk about the threshold and the ratio. Once you know that you can start playing with your toys. Only this time you should ask yourself why you’re doing it and then try to accomplish those goals. So when things are nicely balanced, and EQ’d, the thing you reach for next is the compressor. Do you need to tame the attack of the transients?Īll of these questions have different compression answers depending on what you’re trying to accomplish.So instead of slapping a compressor plug-in on each track because that’s how you think it’s done ask yourself what the end goal of using the compressor is going to be. It comes down to the mentality of using compression as a tool, not as a crutch. It manages your signal for you, raising it and lowering it depending on how loud it is.īut using compression and knowing how to compress are two different things. It makes the softer signals louder and the louder signals softer. In the simplest of terms, it’s a level controller. Understanding what a compressor does and when you should use it might give you a clearer insight into why you should compress your tracks and how to go about it. You’ve probably heard that professional mixing engineers use compression when they mix. It just depends on the style you’re going for, and the sound you want out of your mix. You can use compression in five different ways that all sound different but still GOOD. If it’s muddy, there are a few ways to fix that, but it revolves around cleaning up the low-mid area.Ĭompression is highly subjective, and you can use it so many different ways. If your mix is muddy, it’s just muddy in general to everybody most of the time. ![]() However, although compression is a bit more complicated, it’s also more subjective to the person who’s using it. Using compression correctly is the second most important thing to do after EQ when you need to manipulate audio.
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