![]() In his book, Kulka doesn't empathize with the pain of the victims or the motivation of the perpetrators. First published in English in January, it was released two months later in Germany, where the first edition hasn't sold out yet. Despite a few glowing reviews, Kulka's book has not attracted the attention it deserves. It's a cumbersome title in a genre that already has many books and eyewitness accounts. He also writes them, and in doing so has managed to compose one of the most astonishing books ever written about Auschwitz: "Landscapes of the Metropolis of Death: Reflections on Memory and Imagination." Kulka doesn't just say these kinds of things. " Auschwitz was my childhood! I learned to become a humanist at Auschwitz." It seems almost strange to ask the question: Is he homesick for Auschwitz? There is a strange tone in his voice - not sadness, not rage, but something that sounds like longing. He was in Auschwitz between the ages of 10 and 11. "That's the landscape of my childhood," he says quietly. Kulka moves the cursor across the chimneys and through the grass. On his computer, he opens black-and-white photos that depict the ruins of the crematoriums at Auschwitz - a forest of crumbling chimneys amid tall grass. But Otto Dov Kulka's thoughts are far away. ![]() ![]() His office window looks out over Jerusalem, where the light-colored stone buildings contrast with the fading late afternoon light. Part 1: Auschwitz Through the Eyes of a Child
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